June 9, 2009

We All Share A Measure Of Wretchedness


In school, I rarely enjoyed being forced to read long, boring novels from the distant past. Even worse was being told what to think about them. Thus, I never did well in English class.

One of my few favorites was The Iliad. The character who always stood out the most was Achilles. Of course, the other name for The Iliad is "The Wrath of Achilles," which summarizes nicely what drew me to the story. The world's greatest hero, feeling wronged, refuses to fight and would rather bring doom down on everyone around him than to succumb to injustice. It spoke directly to my anti-authoritarian sentiments. I would rather fail than let someone force me to read something that did not appeal to me. How dare they waste my genius?

Of course, in the end, Achilles realizes the price for fighting his fate is too high. His best friend is slaughtered by Hector, Achilles laments his pride and vows revenge, and he rejoins the war knowing that he will die soon after Hector.

I just finished rereading The Iliad. I picked it up again after reading "On First Looking Into Chapman's Homer" by Keats:
Much have I travell'd in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow'd Homer ruled as his demesne;
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes
He star'd at the Pacific--and all his men
Look'd at each other with a wild surmise--
Silent, upon a peak in Darien.

I wanted to see what Keats saw. I wanted to be dazzled, because how often are we really dazzled by a work of literature.

As it turns out, the 400 year old translation is a hard read. It uses so many archaic words, and the constraints of writing in meter make for convoluted sentences. It took me more than six months to get through the 400 pages. I wished I had picked up a more modern prose translation instead.

But for all the difficulties, it was worth it in the end. The narrative is just as fascinating and powerful as an adult as it was as a teenager. But this time, the aspect of the story I was most drawn too was not Achilles and his anger, but instead the final book, when Priam comes to beg Achilles to release his son Hector's corpse for a proper burial.

With the help of the God Hermes, Priam sneaks into Achilles tent at night, and reminds the young warrior of his own father. He says:
Achilles, fear the gods,
Pity an old man, like thy sire, different in only this,
That I am wretcheder, and bear that weight of miseries
That never man did, my curs'd lips enforc'd to kiss that hand
That slew my children.

Achilles relents, as he realizes an important truth. All men are destined to suffer a mix of fortune and misfortune. Both Priam and Peleus, the father of Achilles, enjoyed long fruitful lives, only to see their sons stricken down in their youth. He learns that the enemies he has been fighting for ten long years are no different from himself. His anger assuaged, Achilles finds respect for the king of the Trojans, and grants him 12 days to proffer the funeral rites for Hector, before resuming the war.

I find a measure of comfort and affirmation about humanity to find that a lesson taught 2500 years ago can still be so applicable in today's world.

May 14, 2009

Voice Of The Small Town


There's a culture war taking place in America. Obama's election exemplified the two sides. I am not talking about black versus white, or the majority against the various minorities and immigrants that populate our country. In the war I am talking about, you have on one side the liberal, the urbane, the well educated. On the other, you have the conservative, the religious and rural, the working class. If you are the former, and in your 20's or 30's, you probably listen to bands like Radiohead and Beck. You listen to Johnny Cash not because he was a great, prolific country star since the 60's, but because he did a chilling version of a Nine Inch Nails song. You do not listen to John Mellencamp, Cougar in his name or otherwise.

You should.

In an unfortunate, though predictable, apotheosis to his remarkably enduring career, Mellencamp will probably be best remembered as the guy singing in that Chevy commercial. A great piece of advertising for Chevy trucks, but an unflattering testimonial for someone that should be remembered not only as one of our generation's greatest songwriters, but also as a cultural pioneer. There is a lot more to John Mellancamp, both lyrically and politically, than "Little Pink Houses."

Mellencamp is most familiar for his heartland rock anthems, songs like "Jack and Diane," "Authority Song," and "Hurts So Good." His smalltown roots--he was born in Seymour, Indiana--and his celebration of lives lived on farms, next to churches, and outside the Tastee Freeze mark him as something of a hick. Many consider him a primary listening choice for white trash, perhaps at best a poor man's Bruce Springstein.

To argue differently, to point out that he is an accomplished singer songwriter in the tradition of Bob Dylan, Woody Guthrie, and Willie Nelson, to proffer the numerous examples of his later work that eschew commercial hits for a more personal and experimental sound, or to suggest the simple act of surviving the musical graveyard that was the 80's marks him as having at least some measure of worth may all be besides the point. Appreciating music is obviously a personal experience. We like what we like.

But whether or not you like his music, Mellencamp should be celebrated for more than just his songs. Because of the success of "Our Country", and his association with rural America, because of his celebration of the working class, and the rural farmer, it would be easy to dismiss Mellencamp in the same class as, say, Lynard Skynard or Def Leppard. There are some very significant reasons why he should not be.

First, his 1987 music video for Cherry Bomb, off the album "The Lonesome Jubilee," was the first music video to feature an interracial couple on screen together.* Since then, Mellencamp's videos have regularly been an interracial affair, and despite facing criticism from his record company and receiving hate mail and death threats, he has persevered in his commitment to addressing racial issues.

In another vein, ever since the 1985 album "Scarecrow," Mellencamp has been a vocal advocate for the family farmer. Along with Neil Young and Willie Nelson, Mellencamp is a founding member of the FarmAid series of concerts, an annual event to raise money and awareness for small family farms across the country. To date, the organization has raised over 33 million dollars for the cause.

Growing up in Indiana, albeit the somewhat metropolitan Indianapolis, I was predisposed to being a John Mellencamp fan. While attending a tiny college in the South of the state, I went to school with a number of classmates from small towns. My freshman year roommate was from Paris, Indiana, and a huge Mellencamp fan. One of my fraternity brothers was from Seymour, and would have fit perfectly in one of his songs, a fun loving drinker that was more liable to wind up in a bar fight than actually graduating. One of my best friends grew up on a pig farm in Newcastle.

It might seem like my college experience was unrefined, that it was overly colloquial, but I view it differently. It was one of my first opportunities to really experience a different reality, to be immersed in an environment with people from disparate backgrounds and world views. Its a perspective of which I think many urbanites have little practical understanding.

Listening to John Mellencamp reminds me that it is never wise to fall prey to stereotypes, that America, that our whole world in fact, brings together a myriad of viewpoints and experiences. We should celebrate life at its best and most beautiful, and at its worst. Life can be hard and cruel and unfair, but we soldier on the best we can because we are human.

And sometimes its okay to like a song even if it is in a car commercial.

*I am not one hundred percent that it was the first, but I have a strong recollection of that being the case when "Cherry Bomb" came out. I tried to find confirmation online, but could find no information either way

Lyric Of The Day:

Bobby Doll and Big Jim Picato
Call me up every single day
They don't work and they don't want to
Come on down to some damn cafe

Bobby Doll tells me
Live in the moment
Don't get too far ahead-
Don't live in the past
I blink my eyes
And the moment is over
I guess another day
Has passed

But it's just another day
It's just another day
Watching girls on the street
Well, that alright with me
But it's just another day

Bobby Doll and Big Jim Picato
Always there with their free advice
They've got pearl handled pistols
Under their vests
They want me to go out drinking
With them tonight

"Just Another Day"
-John Mellencamp

January 9, 2009

The First Ever YouTube Challenge. I Lost


You can only play so many games of Scrabulous, right? I mean, I'm usually bored after the first five or six words. What our generation needs is a new era of board games that fit with our socially networked, web 2.0, hyper-connected selves.

I played such a game with a friend earlier today. We came up with the rules together. Let's call it the YouTube challenge. Here's how you play:

You want to play over gchat. One person picks a video they really like that they think the other person hasn't seen, and sends them the link.

If the other person has never seen it, then the sender gets a point. If they have seen it, then it's minus a point. If the receiver likes the video, then they put the link in their status message. If any friends comment positively on the video, then that's another point for the sender.

Next, the receiver picks out a response. It might be related to the video they just received, or it might be completely different.

The game then proceeds back and forth. So you score points every time you send a video that the other person hasn't seen, and more points every time that video elicits comments from the receiver's friends. Bonus points can be awarded if the video is so good you feel compelled to change your facebook message status.

An example is in order:

CC starts: http://www.youtube.com/watch?v=G0LtUX_6IXY

New video, 1 point
Comment from NM, "that's a great video", 1 point
Score: CC 2-Dr 0

Dr: http://www.youtube.com/watch?v=jwMj3PJDxuo

Previously viewed video, -1
Score: CC 2-Dr -1

CC: http://www.youtube.com/watch?v=H5MLNMgpywk

New Video, 1 point
Comment from NM, "you are way better at youtube than i am", 1 point
Score: CC 4-Dr -1

Dr: http://www.youtube.com/watch?v=Tx1XIm6q4r4

New Video, 1 point
Score: CC 4-Dr 0

CC: http://www.youtube.com/watch?v=0h-RhyopUmc

New Video, 1 point
Score CC 5-Dr 0

Dr: http://www.youtube.com/watch?v=Q_RpbaUU7NI

New Video, 1 point
A change of Facebook status due to awesomeness, 1 Bonus point
Score: CC 5-Dr 2

CC: http://www.youtube.com/watch?v=lpmvFK02jY8

New Video, 1 point
Score: CC 6-Dr 2

Dr: http://www.youtube.com/watch?v=eHF06w-6xPk

New Video, 1 point
Final Score: CC 6-Dr 3

And that's how you play the game. The best part is that you got to share your favorite YouTube videos with your friends. Every one is a winner. Now that's a game for the 21st century.


Lyric of the Day:
I'd rather dance with you than talk with you
So why don't we just move into the other room
There's space for us to shake, and hey, I like this tune

Even if I could hear what you said
I doubt my reply would be interesting for you to hear
Because I haven't read a single book in years
And the only film I saw, I didn't like it at all

The music's too loud and the noise from the crowd
Increases the chance of misinterpretation
So let your hips do the talking

"I'd Rather Dance With You"
-Kings Of Convenience

January 7, 2009

Time Waits For No Woman


There are two schools of thought about the nature of time traveling. First, there is the Back to the Future school. Proponents of this type of time traveling believe that you must constantly guard against changing the present by meddling in the past. Of equal importance, under no circumstances must you ever allow your past and future selves to meet. The consequences will be dire.

The second school of thought is explored in Bill and Ted's Excellent Adventure. In this form of time travel, events have already been played out. If you want to get out of jail, sometime in the future, you can time travel to the past, and steal your dad's keys and leave them in a convenient location so they will be accessible at the appropriate time and place. And since the keys are there when you need them, you need not worry about remembering to put them there in the future. You already know that you have put them there. And, of course, meeting your future self is all in good fun.

The Time Traveler's Wife, by Audrey Niffenegger, definitively falls into the latter category. It tells the love story of Henry and Clare. He is a time traveler, but rather then having a time machine at his disposal, he has a genetic disorder beyond his control, and he pops in and out of time at random. She meets him when she is six, and she grows up falling in love with him during his numerous visits. The novel is a tightly woven patchwork of moments, as Henry passes into and out of Clare's life, and his own past and future. As he is constantly running into different versions of himself, Henry soon learns that his future has already been written, and there is nothing he can do to change it.

Fate is an important theme. Clare is likened to a sailor or soldier's wife, a modern day Penelope, always waiting for her husband and unable to control his comings and goings. She is an educated, talented, independent minded woman, but she is faced with the same predicament shared by women through out history, forced to watch passively as events are shaped by forces beyond her control. Except in this case, Henry is equally helpless. He has no control of his time traveling. It is difficult to know who has the harder time dealing with the unpredictability. Henry is forever scared of popping out at the wrong time, never knows where he will land, and is constantly forced to steal clothes and food and flee the police or whatever over testesteroned bully takes offense at a stark naked man running around the streets of Chicago.

What Clare most struggles with, and Harry as well, is the knowledge that their fate has already been determined. If they know their own future, and are helpless to change it, do they really have free will. I can imagine in many ways their experience is similar to what it is like for a women or minority in our society, where the circumstances of your birth limit your options from the start.

Eventually Clare embraces her fate. Her love for Henry outweighs her lack of free will:
Today is not much different from all the other days. I get up at dawn, put on slacks and a sweater, brush my hair, make toast, and tea, and sit looking at the lake, wondering if he will come today. It's not much different from the many other times he was gone, and I waited, except that this time I have instructions: this time I know Henry will come, eventually. I sometimes wonder if this readiness, the expectation, prevents the miracle from happening. But I have no choice. He is coming, and I am here.
I would not recommend reading The Time Traveler's Wife if you consider yourself a cynical person. I think Niffenegger is very sincere and earnest in her story telling. This is no straightforward story mind you. It is complexly woven, with a lot of frank and graphic situations like miscarriages and physical abuse, and does not have a traditionally happy ending. But these situations could verge on the edge of sentimentality for some. For me, it is real. This love is real love. It is imperfect love, it is love fraught with peril, with the fear of loss and the threat of being misunderstood. But it is deep and full and strong and Henry and Clare fight for each other and even if there is something of the melodramatic in their story, a heightened reality that verges on fantasy, I can relate to it. I am a sucker for sincerity every time, especially when it is combined with a compelling story.

Lyric of the Day:

Hear silver trumpets will trill
in the Arabic streets of Seville
Oranges roll in the gutter
And you pick them up
And pull back the skin
To the red fruit within

But the flavour is...Tart
And the flavour is...Tart

Is it something you crave
And you say that you
only feel bitterness
When you know it's a lie, lie, lie, lie, lie, lie

Tart
-Elvis Costello

January 5, 2009

Saigon Noel


So Dance With Sunflowers has been on hiatus while I was traveling in Vietnam. In a follow up to my earlier post about Christmas in Beijing, I discovered that the Vietnamese are even crazier about celebrating the holidays. Decorations were everywhere.

Now that I'm back, I promise more regular postings, and my New Year's resolution is to make sure that every time I post I have something interesting to write about.

But in the meantime, if you want a glimpse of Vietnam, have a look at my photos from the trip.

Happy 2009!

Lyric of the Day:
Those evil-natured robots
they're programmed to destroy us
she's gotta be strong to fight them
so she's taking lots of vitamins

Yoshimi Battles The Pink Robots, Pt 1
-The Flaming Lips